Collateral Research








In the opening of this film, large variations of camera angles are used. In the opening few seconds, shown by the screenshot below, Tom Cruise, who plays the villain, walks though the airport. An open frame is used, while the camera introduces the first two characters, which is done so that the scene of a busy and public space is clearly conveyed. The camera focuses on Tom cruise as he walks towards the camera in slow motion which is used to add tension. The camera snaps between the two characters, contrasting Tom cruise in slow motion, which emphasises how he is the villain, and the other character, so that the audience focuses more on tom cruise.

 As the camera snaps back to Tom Cruise, the camera shot slowly turns into an extreme close up, as shown by the screenshot below, right before a two shot is used just before the collision.

At the collision, the camera shows the initial contact, before a camera angle from knee height which shows the bag dropping to the floor. The bag is in focus, with the surroundings all out of focus, which is done so that he bag is shown to be important, and leaves the audience wanting to know what is in it.

An over the shoulder POV shot is used as the characters play their roles as shown in the screenshot below.  

Next a tilt shot is used to follow the bag as Tom Cruise picks it up, which is used to once again make the bag seem important, thus enticing the audience with desperation to know what is in it.
For five seconds, an over the shoulder shot is used again, using a dolly to follow Tom Cruise as he walks. The background is blurred, but Tom Cruise is in focus, which is done to draw your eye to Tom Cruise and focus on him.

Next a montage is used, stringing together shots that change focus, mainly of parked taxis. The montage is used to show a change of scene, and make this clear.

The camera then pans across, showing hands of a man doing a crossword, and then in the next cut it pans again to show a man on the phone, speaking a foreign language. This is done to some taxi drivers, doing several activities while waiting for their cars to be fixed.


Another montage is used, with the use of several tilt shots to show close ups of hands fixing cars, and car components.

The camera cuts back to the man doing the crossword, starting on his hands, and then slowly tilting up to reveal the third character met. The slow tilt emphasises the characteristics of the new character, which is played by Jamie Foxx. The use of the crossword shows how Jamie Foxx’s character is intelligent.

So far across the opening an open frame has been used. As Jamie Foxx enters his car, his intelligence and precision is shown again by him cleaning his car in an organised fashion. The camera shot here is one of a POV from the passenger seat, but slightly from below and looking up at Jamie Foxx. This is done to show him to be a powerful character.  

Another small montage is used, mainly with extreme close ups of the characters hands, to show Jamie Foxx checking his car in an organised fashion, which again emphasises the organisation of the character.


From a close up shot, Jamie Foxx then closes the door of the taxi, which shuts out the sounds, thus ending the open frame and turning it into a closed frame.

More extreme close ups are used as Jamie Foxx finished his routine checks, then a mid-shot of the taxi driving away is used, simply to clearly show what is going on.